The Heard Eye Presents ‘All Love’
The Heard Eye surprises the music scene with their latest single called ‘All Love’. The band released the magical and intricate track on Valentine’s Day, February 14, 2025. ‘All Love’ feels and brings an evocative touch, yet it stays fresh and creates a soundscape of modern rock.
Somewhere in between funk, jazz, Latin, and world music, ‘All Love’ manages to stay original, unique, alluring, moving and proves to create a wonderful world of its own.
‘All Love’ is an upbeat and enjoyable groove intertwined with an infectious melody and positive energies. It is said that Paul Schneider (all around musician) unexpectedly heard the song in a dream, woke up, and brought the magic to life. Along with Hannes De Kassian (guitarist), Chris Studer (Keyboardist), Greg Dunn (bassist), and Peter Ffrench (Drummer), ‘All Love’ became a dream come true. The Heard Eye’s latest tune showcases the band’s distinctive gift to blend funk and rock all into one. ‘All Love’ almost sounds as if the late 90’s and early 2000’s met right in the middle and gave birth to a whole new and delightful musical land. Paul Schneider’s vocals may remind the listener of late Stone Temple Pilots’ vocalist Scott Weiland. The acoustic guitars and electric guitars successfully complement each other, along with the crispy drum work, and the intense driving bass line. ‘All Love’ truly portrays the band’s distinctive, passionate, and moving musical strengths.
The Heard Eye continues to sculpt out their characteristic sounds in the rock world. ‘All Love’ stands as an exemplification to the artist’s ability to encompass musical excellence with a memorable and spiritual message. ‘All Love’ is out now and it is guaranteed to be a popular, captivating, and magnificent single for all music enthusiasts.
ONLINE:
https://theheardeye.com/
https://www.facebook.com/theheardeye/
Seewolf (NL) Presents Debut Album ‘A Bounce Of Grace’
Seewolf presents their debut album called ‘A Bounce of Grace’. On March 28th the talented band from the Netherlands shocked and surprised the world with a new and nostalgic record. ‘A Bounce Of Grace’ delivers an evocative feeling and color, yet it stays fresh and generates a soundscape of modern and cinematic indie rock. Somewhere in between Pink Floyd, The Veils, Syd Arthur, Interpol, The Doors, and Motorpsycho, ‘A Bounce Of Grace’ manages to stay original, magical, enchanting, unique, slightly psychedelic, and proves to create a profound world of its own.
‘A Bounce of Grace’ is a perfect reflection of what the vivacious and lively band brings to the table. Seewolf’s debut album is an alluring piece of work where the band gives the world seven creative, mind-expanding, and contemplative tracks. With Dolf Kuiken (vocals, guitar), Willem Bijma (guitar, keys), Bram Welbedacht (bass guitar), and Joop Visser (drums), Seewolf delivers sensational and staggering numbers on this record.
The first track ‘Someday’ is haunting, trippy, and otherworldly. It’s almost as if you’re hearing a modern Pink Floyd play live at Pompeii. The second number is the titled track, which is filled with dreamy and intricate guitar work, exceptional vocals, and passionate jamming from the band as a whole. ‘Moonwater’ is a masterpiece where Seewolf delivers a delightful instrumental. With tracks like ‘Odyssee’ and ‘Wild Winds’, Seewolf has established themselves as one of the most distinctive bands in the scene.
– https://skopemag.com/2025/03/28/debut-album-by-seewolf-nl-a-bounce-of-grace
Seewolf continues to sculpt out their own space in the rock world. ‘A Bounce of Grace’ stands as an example to the band’s ability to intertwine great musical influences with a new successful sound. ‘A Bounce of Grace’ is out now and it promises to be a breathtaking and perplexing record for all independent rock enthusiasts.
Link to Instagram: https://www.instagram.com/seewolfmusic
Link to Facebook: https://www.facebook.com/seewolfmusic
Website: https://www.seewolf.nl
Cary Aria Making BIG Waves with ‘Seaduction’
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This new release by singer/songwriter Cary Aria is all about the salty seas and beach life. ‘Seaduction’ is a culmination of Cary’s decade-long career as a cruise ship musician landing in almost 100 countries. Being exposed to so many different cultures and lifestyles around the world helps drive the new album and inspires many stories.
‘Seaduction’ was recorded in cruise ship cabins as well as studios in Georgia (TuneDesigner), Minnesota (Cloverleaf Audio-Visual), and Florida (Heiga Studios and Magnolia Studio). This record also features five other talented musicians and they are John Johonson on piano & keys, Daniel Addison on guitars & bass, George Sandler on drums with Rhett Johnson handling extra goodies and Hazel Sim supplying vocals on the track “Lighthouse”. The oceanic atmosphere consumers ‘Seaduction’ and will make the listener feel good from head to toe. If this album doesn’t perk you up or give you a calming sense, something is wrong and Cary Aria will need to jump aboard and rescue you!
We are “Bahama Bound” right from the start with Cary Aria playing the role of your captain and in charge of your musical enjoyment. Immediately, the listener will detect an upbeat vibe and catchy hook on “Bahama Bound”. I say raise a glass and say Cheers to this tropical tune as we’re ALL “Bahama Bound”! It’s time for “Life Is Good (Beach Life Is Better)” and the title sums up the theme of the song. Cary Aria is making a BIG splash on “Life Is Good (Beach Life Is Better)” with a laid-back demeanor that will relax your mind, body & spirit. Crystal clear notes are pouring out of your speakers and crashing into your ear canals on “Watching The Waves”. Track four, “Back To The Sun”, is shining bright, so embrace the good stuff and catch some hot, musical rays. Moving along, the mood is right, so ride along to a “Picture Perfect” scene that is like poetry in motion in the ocean. Rolling into the next song, “Where There’s A Will, There’s A Wave”, it’s all about hitting the waves and leaving your worries at the door. Next, Cary Aria is guiding us through salty ripples and rich tones on “Lighthouse”. If an “Endless Summer” is what you seek, then this number is your ticket! Pure joy and utter delight will warm you inside and make your ears smile on “Endless Summer”. Who’s ready to take a chance and let loose? If you are, then “Let’s Get Lost” with Cary Aria and never look back! Cary is sailing off into the sunset on the closer titled “Cruise Ship Crazy”. Just hop on and enjoy the ride that is one thrilling destination all in the key of “Cruise Ship Crazy”.
It’s time to soak up these musical rays and crash into these wonderful sound waves that are now onshore and on course to take over the airwaves! ‘Seaduction’ will just make you feel happy and have you craving the summertime and cool waters. Cary Aria captures the essence of the beach and ocean perfectly on this new release. You can SKOPE out the official music video for “Bahama Bound” right here: https://www.youtube.com/watch?v=sGTV7mEwH98. ‘Seaduction’ has set sail and Cary Aria looks to pick up new fans along the way as the voyage continues.
https://caryaria.com/
https://www.facebook.com/CaryAriaMusic
https://www.youtube.com/user/CaryAria
https://www.instagram.com/caryariamusic
By Jimmy Rae
Mitch Towne To Release ‘Refuge’ April 4, 2025
This new release has a total runtime of 44 minutes and every minute counts here as Mitch Towne keeps the listener engaged from beginning to end. This is a recording debut as a leader for Mitch Towne who is an accomplished jazz organist. With Mitch Towne on the Hammond organ, he also adds two talented instrumentalists to the lineup and they are Tetsuya Nishiyama on guitar and Jeffery Johnson on drums. Together this trio has created thoughtful & swingin’ tunes that can be enjoyed by many on ‘Refuge’.
Known in the modern jazz world, Mitch Towne brings his talents on the keys to the new album. With six original compositions and one song written by the late Kenny Kirkland, ‘Refuge’ explores the wonderful world of jazz in stellar fashion. With sensational solos and spirited verses, Mitch invites the audience to take ‘Refuge’ like never before and let your ears run wild.
Mitch Towne kicks things off with a vibrant number called “Wolverine” that is shredding up the competition. Prepare to take a big, healthy bite out of “Wolverine” that provides an appealing rhythm and solid arrangement. We head into the title track next where “Refuge” is the place to be! This track has a nice texture and is audibly pleasing proving that “Refuge” is a land of pure joy musically. Get ready for an easy-going flow that will ease your mind and calm your senses on “Better Now Than Never At All”. Catchy chords and colorful notes will be hitting you from all angles on “Better Now Than Never At All”. Mitch Towne is in the driver’s seat on “Ode To Kenny” and heading in the right direction. “Ode To Kenny” is musical precision in motion as Mitch drives this one home with sound movement and judgment. Track five, “Steepian Faith” is a fitting tribute to the late, great Kenny Kirkland who was an accomplished pianist & keyboardist. Mitch is tempting listeners with its intriguing melody on “Steepian Faith” while also honoring a fallen musician. The keys are alive & well on “Steepian Faith” as Mitch Towne tickles the ivories all for Kenny Kirkland and his legacy. A pleasant sound hits you on “Some Work of Noble Note, May Yet Be Done” where bright melodics fill the air. It’s safe to say that a slow ‘n’ steady pace wins this particular race on “Some Work Of Noble Note, May Yet Be Done”. Mitch Towne delivers a strong performance and goes out on top with the closing number titled “Act As If”. Mitch is playing with ease and a sense of extreme confidence that is a real treat to hear on “Act As If”. Excellent instrumentation and song structure makes “Act As If” a top-notch jazz composition for Today.
Enjoy this modern jazz trio where the organ is highlighted and the guitar and drums bring it all together nicely on ‘Refuge’. Listeners will love the fresh style of Mitch Towne as the music will move you and excite you. This proves to be the perfect ‘Refuge’ all around, so come ONE, come ALL and allow Mitch Towne to light up your ears!
By Jimmy Rae
Citi Hampton aka Treal Smoke Presents ‘Fa$t Time$ and Broken Youth’
Citi Hampton Aka Treal Smoke presents his latest album called: “Fa$t Time$ and Broken Youth”. Released on December 31st, the gifted rapper out of New York took ship on a renewed and invigorating path with the iconic sounding album. “Fa$t Time$ and Broken Youth” perceives and delivers an old school vibe, yet it stays innovative and spawns a soundscape of modern Hip-Hop. Somewhere in between the early roots and contemporary Hip-Hop, “Fa$t Time$ and Broken Youth” manages to stay unique, captivating, psychedelic, beautifully chaotic, and proves to create a profound world of its own.
https://citihampton.bandcamp.com/album/fa-t-time-and-broken-youth
New York’s finest latest album consists of twelve hallucinatory and electrifying tracks! “Fa$t Time$ and Broken Youth” is a living reflection of what Citi Hampton Aka Treal Smoke brings to the table, as he delivers an impressive unforeseeable flow, and inexplicable raw lyrical ability in the studio. The opening track “The Next Flight” is a number where Citi Hampton Aka Treal Smoke showcases his sensational and characteristic abilities. “EAT GOOD” is a track where the instrumental is wildly enhanced and magnified by Citi’s unusual rapping techniques. “Out$ide” is a track where Treal Smoke’s vocals are submerged in an original and marvelous delivery. With tracks like “Ma$ Mala$” and “Money and Love”, the rapper distributes fantastic and stupendous performances. Citi Hampton Aka Treal Smoke surely establishes himself as one of the best rappers in the hip-hop industry with this reinventing album.
The talented rapper undeniably continues to sculpt out his own space in the hip-hop scene. “Fa$t Time$ and Broken Youth” stands as a representation of the artist’s ability to blend musical greatness with a successful and particular vocal flow. “Fa$t Time$ and Broken Youth” is out now and it promises to be a spectacular and remarkable album for all hip-hop enthusiasts.
http://instagram.com/CITIHAMPTON
Brooke Moriber Presents ‘What If I do’
Brooke Moriber strikes again with her latest single called: “What If I do”. On March 14th the talented singer out of New York embarked on a new and magical journey with this track. “What If I do” feels and brings a nostalgic touch, yet it stays fresh and generates a soundscape of modern Country. Somewhere in between Jennifer Nettles, Ingrid Andress, Brandi Carlile, and Linda Ronstadt, “What If I do” manages to stay original, musically alluring, unique, moving and proves to create a deep world of its own.
“What If I do” is an immeasurable and extensive piece of art that not only reflects Brooke Moriber’s soul, but it also mirrors her distinctive and special vocal gifts. It is no secret how successful and accomplished the singer has been in recent years. Moriber truly showcases her vocal strength and heartening passion in her recent release. It is almost as if there has been a rise or evolution in Brooke’s dexterity when it comes to songwriting and singing. “What If I do” simply captures the struggles and battles of love. The instrumental itself is quite haunting, disconsolate, compelling, and potent while perfectly blending with Brooke’s influential lyrics. “You think that I don’t have the wings to fly…” is just one of Moriber’s major and most powerful phrases in the song. New York’s finest is perceived as a powerhouse vocalist and stellar songwriter. Brooke Moriber is a heavyweight and influential artist in Country music.
– https://skopemag.com/2025/03/19/what-if-i-do-brooke-moriber-returns-with-poignant-empowerment-anthem
Brooke Moriber continues to sculpt out her distinctive location in the country world. “What If I do” stands as an exemplification to the artist’s ability to incorporate musical success with a touching and profound message. “What If I do” is out now and it promises to be a breathtaking, bewildering, and spectacular single for all Country lovers.
https://www.instagram.com/brookemoriber/
Col Gerrard Presents ‘The Way I Feel’
Col Gerrard presents his latest single titled: ‘The Way I Feel’. The talented and dexterous musician’s charming and passionate single was released on February 21, 2025. ‘The Way I Feel’ almost sounds and feels like a musical experience that not only connects all emotions, but also takes the listener far away into the otherworld. Col Gerrard portrays soft touches of folk, pop, and electronic, yet stays fresh and generates a soundscape of modern rock. ‘The Way I Feel’ manages to stay profound, impressive, original, and proves to fabricate an enjoyable musical world of its own.
‘The Way I Feel’ is a living image of what Col Gerrard and the melodious band bring to the recording studio. ‘The Way I Feel’ is a track where Col Gerrard truly demonstrates his vocal gifts and inspirational arrangements. The initial acoustic chords are quite deep and almost remind the listener of Led Zeppelin’s: ‘Babe I’m Gonna Leave You’. Col Gerrard’s vocals are raw, rich, emotional, and affecting. There’s no way around it, Gerrard goes above and beyond when it comes to using his heartwarming vocal chords. The effects and echoes used around his voice create an unbelievable and atmospheric scene. ‘The Way I Feel’ is cavernous, extensive, immeasurable, profound, and intense, as Gerrard portrays a heavy and personal journey. The emotion on this track is untouchable and it only reinforces Gerrard’s image as a genuine and passionate musician.
Press: https://skopemag.com/2025/03/14/col-gerrard-drops-powerful-new-track-the-way-i-feel
Col Gerrard continues to sculpt out his own space in the rock world. ‘The Way I Feel’ stands as an example to the singer’s ability to mix musical attraction with a successful sound. ‘The Way I Feel’ is out now and it promises to be a breathtaking, perplexing, and spectacular single for all music enthusiasts.
https://www.instagram.com/colgerrardmusic/
Bob Bradshaw with ‘Live in Boston’
Bob Bradshaw brings his gritty & grainy style of music to the forefront with his latest release titled ‘Live in Boston’. This album was recorded in just one day at Q Division Studios in Massachusetts by Rafi Sofer while also mixed by Dave Westner and mastered by Adam Ayan. Even though this record only took a day to make, there are so many great memories Bob Bradshaw reflects on that can last a lifetime. ‘Live in Boston’ is a culmination of all the shows Bob has played over the years at bars & clubs in New York, San Francisco and Boston.
With heavy elements of rock & folk, ‘Live in Boston’ has a real Americana feel that plays out nicely throughout the 13-song set. Bob Bradshaw has a real knack for storytelling and for producing a catchy hook & melody. The musicians on this album include Bob Bradshaw on vocals, acoustic & electric guitar, Andrew Stern on electric guitar, Andy Santospago on electric & steel guitars, James Rohr on keyboards, John Sheeran on bass and Mike Connors on drums. You can sense the camaraderie between the members as ‘Live in Boston’ comes to life right before your ears!
The album kicks off with “Talkin About My Love For You” that has such an appealing sound right off the bat. There are some intriguing notes on “Talking About My Love For You” as Bob Bradshaw delivers a rock-solid performance from top to bottom. Brace yourself for an emotional touch and some heartfelt chords on “Material For The Blues”. Things are really starting to heat up with “Hot In The Kitchen” where you will want to fire up this single. Bob is your musical chef and he is cooking up an enticing song that has plenty of flavor on “Hot In The Kitchen”. Next, we head to “Albuquerque” where the mood is right with an enticing tone and pleasant melody in the air. The listener will be ready to dust off his or her speakers and kick up some rich dirt on “Albuquerque”. Bob Bradshaw & company truly nailed it on “The Art of Feeling Blue” by offering up interesting dynamics that worked brilliantly throughout the song. We are galloping along at the perfect pace and jumping into “High Horse” next where Bob Bradshaw is riding off into the sunset. “High Horse” provides a very raw sound, so saddle up and just enjoy the ride! Track seven, “Everybody’s Smalltime Now”, supplies a draggy rhythm that pulls you in, tempts your senses and sparks your curiosity. Bob tells a gripping story to go along with passionate vocals on “The Assumptions We Make”. If one would assume that “The Assumptions We Make” is a powerful set that truly hits you, that person would be right. The listener will detect a sweet sentiment on “Somebody Told Me A Lie” where the slowed-down tempo/flow catches your attention and keeps you engaged. You will be a sucker for “Sideways” with its shimmy-shakin’ riffs and rock-solid beat. Track 11, “Every Little Thing”, speaks volumes musically, lyrically & vocally as Bob Bradshaw gives it his all and straight from the heart. “High On Our Own Supply” is up next and Bob is driving this tune home with a sense of coolness and done with pure ease. Bob Bradshaw and his backing band go out on a high note with “Exotic Dancers Wanted”. The audience will slowly sway to this stylish number and no dancefloor or pole necessary. “Exotic Dancers Wanted” is melodically pleasing and one that fans will fall in love with.
‘Live In Boston’ is a real treat for music fans everywhere as Bob Bradshaw proves to be a stellar singer/songwriter. This is the 11th release for Bob going all the way back to 1995 and I don’t see him slowing down anytime soon! ‘Live In Boston’ will be released on March 28, 2025 just in time for Spring and you don’t want to miss it!
You can SKOPE out the official music video for “Talkin’ About My Love For You” right here: https://www.youtube.com/watch?v=ce8cQzHzQno.
Check out Bob Bradshaw and his rootsy style and give ‘Live in Boston’ a worthy spin or two!
https://bobbradshaw.net/
https://open.spotify.com/artist/3W6DhgD5b3pClIgf3lYqyl?si=3_sLNMUYSOmREgizuGHZqQ
https://www.youtube.com/@bobbybradshaw123
https://www.facebook.com/bob.bradshaw.14
By Jimmy Rae
Root Cellar Xtract with “A London Rain”
Root Cellar Xtract brings us back to the mid 60’s and early 70’s when that classic country rock sound was on fire. Hailing from Cincinnati, RCx draws listeners back to the hills of Laurel Canyon, California where this style was born. Root Cellar Xtract adds its own soulful touch to the mix bringing a very genuine approach to the table. “A London Rain” is the new single as RCx has laid a solid foundation and planted musical seeds that are flourishing.
Singer/Songwriter/Acoustic guitarist Clyde Bailey started Root Cellar Xtract back in 2016 with a vision to bring throwback, California country rock back to the forefront. Clyde wrote “A London Rain” and other band members include: Steve Mueller on pedal steel guitar, Phillip Burkhead on piano, Jim Pelz on guitar, Eric Sayer on bass and Jason Smart on drums Neil Young, David Crosby, Stephen Stills Graham Nash, J.D. Sourther, Rich Furay, Glenn Frey, Don Henley, Jackson Brown, Joni Mitchel, Gram Parsons, The Band, Buffalo Springfield, Little Feat, Poco, Flying Burrito Brothers, The Eagles, Pure Prairie League, and The Byrds are all major influences and a BIG part of the RCx sound & experience!
“A London Rain” is pouring out of your speakers or headphones and into your memory bank. Just hit play and let the soothing sounds of Root Cellar Xtract rush over you on the new single. Mellow chords will penetrate your eardrums on “A London Rain” and leave a lasting impression on listeners everywhere. Root Cellar Xtract exhibits a distinct quality & tone that you will pick up on immediately. Vocally & musically, RCx will peak your interests and curiosity with one infectious hook. This Cincy band knows a thing or two about jamming and entertaining a crowd as Root Cellar Xtract plays all across the Cincinnati area.
If you enjoy a fun-filled atmosphere with plenty of live energy and raw spirit, then “A London Rain” by Root Cellar Xtract is your ticket! With a style that pays homage to yesteryear while also keeping it fresh, RCx always comes original and never disappoints the crowd.
You can SKOPE out the official music video right here:
https://www.youtube.com/watch?v=SiFymx80u-0
and stream on Spotify:
https://open.spotify.com/track/7D3V0qRRbvE0B9ifiDpBfj?si=debd23ca283d4596&nd=1&dlsi=b976bf9408d24ef8.
Add “A London Rain” to your playlist now and soak in the richness and authenticity that Root Celler Xtract always brings to the party.
https://www.rootcellarxtract.com/
https://www.facebook.com/RootCellarXtract/
https://www.youtube.com/@rcxband
By Jimmy Rae
Daniel Garbin is ‘Rising’
Daniel Garbin is a highly-skilled guitarist and sitar player who has put together seven original compositions that make up ‘Rising’. This new release incorporates a variety of styles that will drive your senses wild and quench your musical thirst. ‘Rising’ is a jazz record that offers much depth and a distinct richness making for one enjoyable listening experience.
Daniel Garbin puts together a talented quintet on ‘Rising’ and they are: Camila Cortina Bello on piano & keys, Scott Litroff on alto saxophone, Eddy Khaimovich on electric and acoustic bass and Brian Woodruff on drums. Daniel wrote and produced all songs with the exception of three tracks who he co-wrote with Simona Pop. Daniel Garbin grew up in Romania where he learned guitar and was surrounded by Romanian folklore music. As a young teen, Daniel performed rock, blues, flamenco, fusion and several forms of jazz. After moving to the US, Garbin played Latin rock music, co-founded the jazz fusion band INOAN, played famed Greenwich Village jazz clubs, and became interested in Indian Classical Music, picking up the sitar. This interesting background fuels the inventiveness of ‘Rising’ where listeners will hear a variety of elements and styles throughout this 7-song set.
The record kicks off with the title track, “Rising”, where an exotic melody instantly draws you in. An insightful and intriguing sound fills the air and pleases your ears on “Rising”. By way of a wonderful arrangement, unique approach and pristine instrumentation, “Rising” offers instant appeal. “Simi’s Bossa” is next and provides a pleasant vibe and soothing flow overall. Daniel Garbin and his band played like seasoned champs on “Simi’s Bossa” delivering a superb performance. Prepare to climb some “Rolling Hills” now as Daniel Garbin & company provide you with pure joy. “Rolling Hills” is one satisfying journey as listeners will hike through plush musical valleys. Daniel tempts you with fine playing & finesse on “Anomisericordo” as he and his quintet are playing at the highest level. Track five, “DSD”, offers up soul-stirring chords that bounce around and dance in your thoughts. “DSD” proves to be a cool, easy-listening jam that would be a great addition to your personal playlist. Brace yourself for an unforgettable melody that will be ringing in your ears all day on “Almost Forgotten-Like Satch”. This is one fun ride as Daniel Garbin and his backing musicians give a top-of-the-line performance for the ages on “Almost Forgotten-Like Satch”. Daniel Garbin is going out in style and with class on “Into The Sunset”. This song is shining bright and its sunny-side sensation will make your ears smile from left to right. Musical rays of sunshine wrap around your eardrums on “Into The Sunset” making for the perfect ending.
Daniel Garbin’s authenticity as an artist is second to none and he is now ‘Rising’ to the top! This new album welcomes audiences everywhere to enjoy a fresh take on jazz music. Infectious grooves and sensational solos are all present on the new release ‘Rising’. Daniel Garbin is here to stay and I sense his latest project will be ‘Rising’ up the charts shortly.
https://dgarbin.com/music.html
By Jimmy Rae
Ashleigh Graham and Russell Moore Capture Nostalgic Perfection in “Who We Were Back Then”
Bluegrass has always had a way of looking backward while moving forward, and Ashleigh Graham’s latest single, “Who We Were Back Then,” is a masterclass in doing just that. Set to release on March 7, 2025, this duet with the legendary Russell Moore is a heartfelt journey through love, loss, and the memories that linger long after the last dance. Produced by the esteemed Stephen Burwell and backed by an all-star lineup, the track is bound to resonate with anyone who’s ever wondered, “Do you miss who we were back then?”
URL: https://ashleighgrahammusic.com/
From the first note, “Who We Were Back Then” feels like a conversation between two old souls—voices wrapped in the warmth of nostalgia, harmonizing like a front-porch confession under a Kentucky sunset. Graham’s vocals are pure and evocative, balancing vulnerability with quiet strength. She doesn’t just sing the words; she breathes life into them, making you feel every ounce of longing and reflection. Pair that with Russell Moore’s rich, seasoned tone, and you’ve got a duet that could stand among the greats.
Lyrically, the song is a masterful blend of sorrow and reminiscence. “I’m not dreaming of starting all over / I’ll never go through that again / and I ask myself and I’m asking you now / do you miss who we were back then?” These lines cut deep, speaking to the kind of love that leaves a permanent mark, even when it’s long gone. There’s no desperate plea for reconciliation here—just a wistful acknowledgment of what once was, making the song all the more powerful.
Instrumentally, “Who We Were Back Then” is a shining example of modern bluegrass done right. The track is layered with delicate yet driving instrumentation. The picking is crisp, the harmonies tight, and the arrangement perfectly balanced—never overshadowing the raw emotion in the vocals but enhancing it in all the right ways. Graham’s mandolin work is particularly striking, adding just the right amount of texture to the track.
APPE MUSIC: https://music.apple.com/us/album/who-we-were-back-then-feat-russell-moore-single/1796277319
This single is the latest step in Graham’s impressive return to the bluegrass spotlight. After years of raising a family and exploring different musical avenues—from church singing to musical theater—she’s come back to her roots with a renewed passion. Her recent work with Pinecastle Records, including previous singles “Bless Your Little Heart” and “Head Over High Heels,” has already established her as a force to be reckoned with. And with “Who We Were Back Then,” she proves once again that she’s not just back—she’s here to stay.
Whether you’re a longtime fan of Ashleigh Graham or just discovering her music, “Who We Were Back Then” is a must-listen. It’s bluegrass storytelling at its finest—bittersweet, timeless, and undeniably moving. So when March 7 rolls around, do yourself a favor: put this one on repeat, let the harmonies wash over you, and take a trip down memory lane. You just might find yourself missing who you were back then, too.
Gwen Waggoner
Paul Graves with “Move That Mountain”
Paul Graves has always been one with nature and music and his latest song, “Move That Mountain” is a true testament to that. Not only do you get to hear a new original song, but Skope readers will also receive a stunning video to go along with the single. Paul Graves took a picture slideshow while out camping and hiking in the Cascade Mountains. Prepare to be mesmerized by the sights & sounds of Paul Graves and mother nature on “Move That Mountain”.
Paul Graves has been a musician, singer, songwriter & guitarist for many years covering an array of styles. For the last 25 years, Paul has combined elements of rock, folk, classical, jazz, funk, country and everything else in between. His latest release, “Move That Mountain”, takes a trip back to the 90s when grunge bands like Nirvana, Sound Garden, Pearl Jam and Alice in Chains were on top of the charts. This song and its style are a nod to Paul’s previous band Moss Dog when Seattle was put on the map during the Grunge era. Paul Graves brings elements of alternative and folk to the table on “Move That Mountain” to go along with that serene, picturesque quality.
As soon as you hit play, you will travel through the majestic mountain range feeling a sense of peace that instantly rushes over you. Vocally, musically and stylistically, the listener will pick up on that grunge element along with a swampy rock sensation. Travel through vast peaks and valleys as you reach the top on “Move That Mountain”. The easy-going flow saturates the entire track and meshes perfectly with the peaceful imagery. The viewer will witness breathtaking views of the Cascade Mountains and forest terrain as you venture through visual & audible wilderness. “Move That Mountain” is set to the key of nature with a splash of alternative energy and rocky-top finish. Paul’s vocals stand out as he exhibits much clarity and confidence as a singer. His guitar playing is spot on and draws you in right away with incredibly catchy chords.
Paul Graves is a legitimate mountain man and music man along with being an avid sasquatch investigator & researcher, explorer and citizen scientist. Paul Graves is a man of many talents with his backyard in Wenatchee, Washington where 3.8 millon acres of natural beauty surrounds him. Being one with nature every day, Paul Graves draws inspiration from this and serves as his musical canvas. “Move That Mountain” displays so many qualities from a musical and visual standpoint, so sit back, relax and enjoy the soothing sounds of outdoorsman Paul Graves.
You can SKOPE out the official video for “Move That Mountain” right here: https://www.youtube.com/watch?v=dZp3mMKRnqs.
By Jimmy Rae
https://www.youtube.com/@paulgraves8302
https://soundcloud.com/user-504999276
OF LIMBO Releases A Song About Emotional Manipulation, “Joke’s On You”
Of Limbo’s latest single, “Joke’s On You,” showcases a bold fusion of hard rock and retro grunge that is both introspective and empowering. Part of their upcoming OF LIMBO Unplugged album (set to be released later this year), the Long Beach, CA-based band is carving out a niche in the acoustic realm with this track, representing a significant shift in their creative process and offering a fresh perspective on their songwriting approach.
Lyrically, “Joke’s On You” delves into the emotional turmoil of recognizing manipulative tactics in relationships, a theme that resonates deeply with listeners. Jake Davies, the band’s frontman, describes the track as a reflection on gaslighting, where one partner feigns vulnerability while wielding emotional power. The lyrics poignantly illustrate this dynamic: “You’re holding for the moment I turn my back / You slowly slip the knife in / You’re having a laugh.” The imagery of betrayal is striking, and the rawness of the vocals captures the essence of vulnerability and strength.
The refrain, “Crying on the outside / Laughing on the in,” encapsulates the feeling of being deceived while simultaneously reclaiming one’s power. It’s a powerful realization, as Davies notes, that understanding these manipulative behaviors can be a liberating experience. The repeated emphasis on “the joke’s on you” serves as a rallying cry for anyone who has felt trapped in a toxic situation, signaling a shift from victimhood to empowerment. The song perfectly balances sorrow and defiance, making it relatable for anyone who has navigated the complexities of emotional manipulation.
Musically, “Joke’s On You” retains the band’s signature hard rock edge while incorporating an acoustic format that highlights the emotional weight of the lyrics. The instrumental arrangement is both dynamic and intimate, allowing the listener to connect with the song on a personal level.
The band shot the music video for “Joke’s On You” entirely on an iPhone 14 in their home studio, adding an authentic and raw quality that enhances the candid nature of the song. This DIY ethos is reflective of the band’s journey and their commitment to remaining true to their roots.
The track is not just a standalone single but part of a broader project that includes a mix of original compositions and covers from iconic artists such as Radiohead, Alice in Chains, and Van Halen. The upcoming full-length record, featuring nine tracks, promises to explore various themes and musical styles while retaining the band’s distinct sound. The classic eco-sleeve design and inclusion of deluxe license plate stickers further emphasize their artistic vision, inviting fans to engage with their music in a tangible way.
In conclusion, “Joke’s On You” is a compelling addition to Of Limbo’s discography, showcasing their evolution as artists while tackling profound emotional themes. The combination of powerful lyrics, engaging instrumentation, and a relatable message makes this track a must-listen. As they prepare for the release of their OF LIMBO Unplugged album, the band is poised to make a significant impact in the acoustic music scene, reminding us all of the power of recognizing our worth and reclaiming our narratives.
Mindy McCall
Nashville Based Laura Sawosko Releases New Music
Laura Sawosko’s new album is Not What I Do, continuing her line of Singer-Songwriter genre with country and Americana overtones. She has her own, unique sound, her own, unique genre spin, and Not What I Do feels like a penultimate accomplishment for now as her first record with major backing. “The most meaningful project I’ve worked on has been…(this) album,” she has said to CanvasRebel Magazine. “I have learned so much as a singer-songwriter in Nashville and have put every aspect of myself into this album. It will be my first official album release with the assistance of Olivia Management and a Publicist.”
URL: https://www.laurasawosko.com/
Like much of her earlier work, Not What I Do deals with the painfully personal. Sawosko is wise in pouring her heart out into tracks simultaneously resonant with country fans, and listeners who enjoy a good story. In a world of sound bites and catchy, vapid lyrics, Sawosko reveals what a purist’s version of music is really about. While the production and sound mixing of Not What I Do is top-notch, the songs are acoustic and deliberately simple. There’s no sense of muddying the waters. By listening to a Laura Sawosko record, the beauty of it is it feels like you get to know her. Biscuits & Gravy is particularly hard-hitting, frankly discussing amongst other things Sawosko grappling with her own sexuality.
“This year I have been composing the songs and recording them in a Nashville studio. This album encompasses love, loss and all the in between. My Father recently passed away and it was an emotional journey channeling such loss through music, but such an honor…I never want to shy away from difficult topics because it is an important aspect of the human condition.” This humility likely stems from the hardscrabble path Sawosko has taken to get to where she is today. That humility is part of her prowess, it forms the bedrock of her successful niche as an artist.
“I believe the life of a songwriter is greatly misunderstood,” Sawosko said in CanvasRebel interview. “Too many people view being a musician as a hobby rather than a job or career…It is an endless task of creating, learning how to be your own sound engineer, manager, booking agent, website designer and roadie. There is great expense for instruments, equipment and studio time with little to no income coming in until you are one of the lucky few to break through the music machine of top 20 Country…
Being a female in the Country music industry is another story. Radio airplay for female artists is almost non existent and so is the pay compared to our male counterpart. When I perform at writer’s rounds, it is usually 15 males to every one female. It is one more hurdle to jump through in order to be heard and appreciated. My main focus is loving what I do and I believe the rest will follow.”
Gwen Waggoner
Joe Boris with ‘Arising’
You will instantly gravitate to Joe Boris because he has a likability factor as an artist that is undeniable. The aura that surrounds Joe and his music is a positive one and ‘Arising’ is upon US! This new release from Joe Boris features 13 original songs and will delight audiences everywhere!
Joe Boris is no stranger to the game as he has been part of the East Coast music scene since the 90s. Joe has an old-school feel and his music reflects that with some doses of classic rock on ‘Arising’. The beauty of Joe Boris as a musician is that he is able to weave together a variety of elements to make up one extraordinary sound. There are even moments where Joe exhibits pop sensibilities on certain tracks making ‘Arising’ stand out even more. This new album features Joe’s current backing band FunTime and they are: Bob Ramos on drums, Low Fritz on bass and Adrian Untermyer on keyboards. Additional accompaniment on this recording includes Alzie Sisco on drums, Adam Carelli on saxophone, Chris Nacy on harmonica and John Keim on keyboards.
The album kicks off with a real winner titled “Falling In Deep” that is extremely catchy overall. Joe appeals to many with his distinct tone on “Falling In Deep” and the fun-filled energy remains constant throughout the entirety of the song. Next, you will be saying to yourself that “I Feel Alive” due to the refreshing vibe that will lift you up. Joe Boris delivers a rock-solid performance on “I Feel Alive”, so stay alert because you don’t want to miss this one. “Cayenne Rain” washes over us with an abundance of big notes pouring out into the airwaves. Joe is blasting off and unleashing a hell of a musical storm with “Cayenne Rain”, so soak it all in and don’t waste a drop. It’s party time on the following number, “Reelin’ & Rockin’” where the atmosphere is simply electric! An enticing hook will ignite your senses on the next song “Tell Me”. There is some sweet sax playing on “Tell Me” and I am just loving this jam from start to finish! Joe Boris is playing with much passion on “I Don’t Know” where he exhibits a commanding presence. Track seven, “Any Way I Do”, has a major impact on the listeners with Joe singing straight from the heart. There is a real sincerity to Joe’s voice on “Any Way I Do”, which gives it that genuine touch overall. There is a real sense of truth and a down home-type effect on “Harder Than This”. This song proves to be rich in substance and bears good, musical fruits that will have people trying to figure out what’s “Harder Than This”. Prepare for an excellent flow and texture on “Can’t Stop A Dream” where the chemistry between Joe and his band is on full display. It’s now time to dance and jump for joy on “Jive Time Mind” where one can just let loose and have a blast! Audiences will be movin’ and shakin’ to the beat on “Lil’ Miss Hustle” that is on pace to become a bona fide fan favorite. Track 12, “Brother Tom”, offers up a unique sound that peaks your interests immediately. Stylistically, “Brother Tom” shines bright and provides stellar guitar playing and strong vocals. Joe Boris is bringin’ it on home like a champion on the closer “Any Way I Do (Alternate Version)”.
Joe Boris and his music will connect with many souls out there as ‘Arising’ will make a lot waves. The 13 songs on this album will resonate with many people due to Joe’s approach as a skilled singer, songwriter and performer. You can SKOPE out the official music video for “Harder Than This” right here: https://www.youtube.com/watch?v=Bp_NpwNH_xc. The new album is available now on Spotify, Apple Music, iTunes, Amazon, Pandora and Deezer. Joe Boris is the real deal and ‘Arising’ has begun.
https://open.spotify.com/album/1xRVta5TH0MUYwiDcO8qOK
https://j-boris.com/
https://www.facebook.com/JoeBorisMusic
https://www.instagram.com/joe_boris_
https://www.youtube.com/@joeboris-musician
By Jimmy Rae
Dave Miles Presents “Dichotomy”
Dave Miles presents his latest single called: “Dichotomy”. Originally from Canada, the accomplished and talented musician recently released the dangerous and proficient single on January 17, 2025. “Dichotomy” almost sounds and feels like a musical highflier that not only wanders off into the rough edge, but also reminds the listener of the importance of rock n roll. Somewhere in between Pearl Jam, Colter Wall, Stone Temple Pilots, and The Rolling Stones, Dave Miles portrays brilliant sensations of heaviness and psychedelia, yet stays fresh and generates a soundscape of contemporary rock. “Dichotomy” manages to stay mind-bending, hallucinogenic, wild, free, and proves to create a beautiful chaotic world of its own.
“Dichotomy” is a living reflection of what Dave Miles is capable of and what he brings to the table. Dave’s latest single is one where the listener is really capable of perceiving his songwriting style and delicate crafting lyrics. Miles stands out as a composer, writer, and vocalist as he delivers an honest and bewildering performance on “Dichotomy”. The track begins with a moving bass line that’s almost reminiscent of Interpol’s “Evil” and Dave’s unusual and unique vocals. The crispy drums and marvelous guitar quickly jump into his world, and the fun begins. Dave Miles’ vocals are very close to that of Mick Jagger’s. It’s almost as if The Rolling Stones and Stone Temple Pilots came together and created a stupefying baby called: “Dichotomy”.
Dave Miles’ newest single is a perfect reflection of the musician’s soul and obvious vocal ability. Canada’s finest continues to sculpt out his own dimension in the rock n roll world. “Dichotomy” stands as a fine example to the musician’s ability to mix past influences with a modern and successful sound. “Dichotomy” is out now and it guarantees to be a recommendable, seductive, and irresistible single for all rock enthusiasts.
https://artists.downersclub.com/dave-miles
Freemoor Delivers A Dynamic Ode To Those Gone Too Soon With “Affliction”
Freemoor’s new release, “Affliction,” lands with the force of a sonic freight train, merging the raw energy of modern rock with unexpected electronic interludes that challenge the listener’s expectations. Hailing from Las Vegas, this emerging artist takes a familiar theme—our perennial fascination with the tragic, misunderstood creative soul—and twists it into a narrative that is at once both gritty and surprisingly innovative. While the subject matter may tread well-worn paths, the execution and production elevate the track to something uniquely compelling.
Produced by noted session guitarist and producer Adrian Andres at Toronto’s Mouse Trap Studios, “Affliction” strikes a balance between the polished sheen of contemporary rock and the gritty imperfections that remind us of rock’s roots. The track opens with a barrage of driving guitars and pulsating drums that immediately establish its anthemic quality, echoing the dynamic energy of bands like Marcus King and Gary Clark Jr. Yet, amid the forcefulness, there’s an undercurrent of vulnerability—a musical nod to the personal demons that have haunted rock legends for decades.
Perhaps the most intriguing aspect of “Affliction” is its bold use of contrast. The majority of the song revels in high-energy rock, but then, almost as a moment of confession, the track shifts into a soft, electronic bridge. Here, Freemoor delivers the haunting lines, “Cuz everybody knows, she lost control inside, does anybody feel she’s there alone, all alone, but now she’s gone forever.” This respite is both jarring and deeply affecting, offering a brief glimpse into the inner turmoil that underpins the song’s otherwise explosive sound. It’s a calculated risk that pays off, allowing the listener a moment of reflection before the storm of guitars and drums sweeps back in.
“Affliction” lyrics are unapologetically direct. Freemoor crafts a narrative that mourns the lost potential of creatives who, burdened by their inner demons, met untimely ends. There’s a certain candor in lines like “But when your story’s told, it seems they could not get it right,” which critiques the oversimplified myths often built around tragic figures. While these themes might feel familiar, Freemoor’s earnest vocal delivery infuses them with fresh intensity. His voice, both soulful and rugged, conveys a palpable sense of empathy and urgency, inviting listeners to reconsider the fine line between genius and self-destruction.
Musically, “Affliction” stands out for its daring structure. The juxtaposition of hard-driving rock verses with a contemplative, electronically tinged bridge creates a dynamic listening experience that feels both modern and timeless. The instrumentation is tight and deliberate, with each element—from the layered guitars to the deep, resonant bass—playing its part in building a cohesive, immersive soundscape. There’s an undeniable nod to the past in its construction, yet the track doesn’t get bogged down by nostalgia. Instead, it forges a path forward, hinting at the promise of Freemoor’s forthcoming debut album.
In a landscape crowded with formulaic rock songs, “Affliction” is a breath of fresh air. It’s a track that dares to blend styles and defy expectations while still delivering the punch that modern rock fans crave. Freemoor proves that he’s more than just a conduit for rock clichés; he’s a storyteller willing to experiment with form and emotion. Whether you’re drawn to its introspective lyrics or its explosive musical arrangement, “Affliction” leaves a lasting impression—a reminder that even in an era of relentless commercialism, there remains a space for raw, unfiltered artistic expression.
“Affliction” is a strong statement from an artist unafraid to confront the darker corners of fame and creativity. It may not reinvent the wheel, but it certainly gives it a run for its money.
Gwen Waggoner
Reggie Braxton All IN with ‘The Brax-Tone Experience’
Prepare to embrace 13, hot tracks all in the vein of classic R&B and soul with a splash of jazz. Reggie Braxton hails from Motor City USA, Detroit Michigan and that timeless Motown sound is a big part of Reggie’s DNA. ‘The Brax-Tone Experience’ includes originals and covers of classic R&B singles. Reggie’s velvety approach will be lighting up your ears from start to finish! Come one, come ALL as Reggie Braxton invites you to get fully immersed in ‘The Brax-Tone Experience’.
Reggie proves to be one smooth operator right from the opening number titled “Just Like You”. You get the sense that Reggie is Mr. Suave on the microphone and so he is setting the tone right. A super cool feel and nice-as-ice flow hits your ears on “Just Like You”. A noticeable hook and infectious groove can be heard next on “Notice Me”. Reggie’s silky-smooth touch certainly perks up the room and gets your ears buzzin’, so we definitely notice you Mr. Reggie B! Just as I love Roxette’s “Joy Ride”, I am equally impressed with Reggie’s musical excursion here on “Can I Take You Out Tonight”. Explore the sweet sounds as Reggie drives this song home in style and dares to ask “Can I Take You Out Tonight”? Reggie is serving up some soulful notes on the following song “The Best Of Me” where this man is giving you 100% and all he has. Get ready to take a healthy bite out of “Passion Fruit” that is just bursting with flavor! Track six, “Blind To It All”, showcases Reggie Braxton as one sincere and dedicated artist who knows how to set the mood and deliver the goods. Your musical satisfaction is guaranteed on “Love Guarantee” where this tune sticks to you like Gorilla Glue. The listener will pick up on heartfelt lines like “We were made for eachother, there will never be another for me”. Reggie will have you thinking long & hard just who this “Miss Riddle” is with its welcoming and inquisitive vibe. Reggie is rollin’ along with ease on “Roll Some Mo” where you will just want to sit back, relax and turn up the volume. All the ladies out there want to know and this particular “Lady Wants To Know” what’s the secret to Reggie’s success. In this case, the proof lies within Reggie’s confidence as an artist as he sings with much conviction on “Lady Wants To Know”. On track 11, “Strangers In The Night”, Braxton performs with a classy coolness and soulful elegance as he tastefully salutes Ol’ Blue Eyes himself, Frank Sinatra. I really enjoyed the sax playing on “I Pray It’s You” where the vocals are also on point and Reggie delivers a flawless performance overall. Braxton keeps his eye on the prize and proves “There’s Nothing We Can’t Do”. So much love & joy is being conveyed on “There’s Nothing We Can’t Do” making this a powerful ending to ‘The Brax-Tone Experience’.
Pianist, singer, songwriter & producer Reggie Braxton plays the smooth jazz and R&B card to a T! With influences that include Luther Vandross, Dionne Warwick, Michael Franks, Sarah Vaughn, Frank Sinatra, Scotty and Walter from The Whispers and Nat King Cole, Reggie’s musical tastes reign supreme. As a native of Detroit, Reggie has a deep connection to the Motown classics and looks to bring ‘The Brax-Tone Experience’ to audiences worldwide. It’s worth noting that Reggie’s cousin Melvin Franklin was a member of the one and only The Temptations. This genre of music runs thick through Reggie’s veins and his Detroit roots help shape him into the soulful artist he is today. Reggie Braxton is the real deal and an R&B sensation and ‘The Brax-Tone Experience’ is smooth as butta baby! Reggie Braxton proudly plays on and ‘The Brax-Tone Experience’ lives on!
https://open.spotify.com/album/5qI3MdhnHjiguJAGp4EgI7
https://www.youtube.com/@reggiebraxton1392
Instagram: @reggiebraxton007
By Jimmy Rae
Joshua Lassi with ‘The Only Thing That Hasn’t Changed’
Joshua Lassi is a spirited singer/songwriter who is dedicated to his craft and he invites everyone to appreciate ‘The Only Thing That Hasn’t Changed’. Steeped in faith, Joshua allows the power of God, family & friends to help guide him and drive his music. Tackling themes of love & loss and all the of the ups, downs and in between moments of life, Joshua Lassi fires off ‘The Only Thing That Hasn’t Changed’.
With elements of country & southern rock, Joshua has such a cool Americana vibe that comes across loud & clear on the new release. There are six, original songs on this new album and each one paints a different picture. Weaving through the key of life, Joshua Lassi takes us on a spiritual journey that is filled with plenty of twists and turns and rich tones. ‘The Only Thing That Hasn’t Changed’ hits on many levels emotionally and adds a personal touch that can’t be overlooked.
The record kicks off with a scary, good tune titled “Ghosts” that is bursting with emotion. Immediately, I am taken aback by Joshua’s fine guitar playing and smooth vocals that will keep you engaged. A refreshing breeze rushes past you on “Ghosts” proving that Joshua is a true storyteller with a knack for melodies. There is absolutely nothing foolish about the next number, “Fools”, where Joshua Lassi delivers a strong performance that speaks volumes. Track three, “Kicked and Burned”, has a salt-of-the-earth type feel where Joshua and his musical talents are grounded to the core. Resiliency is picked up on “Kicked and Burned” where Joshua is truly playing his heart out for ALL to hear. Heavenly chords and gracious notes can be heard on the following song “Working Man’s Prayer (The Side of Dirt)”. Grateful meaning and bountiful blessings are all present on “Working Man’s Prayer (The Side of Dirt)”. Get ready to rattle off some blessed “Bones” next where an inviting melody and solid foundation are all in place. Joshua leaves a lasting impression on the listener on “Still The Boys” where it’s a shout out to memories.
It’s hard to believe that this is a debut solo release for Joshua Lassi because he sounds like a seasoned vet. Now residing on the Emerald Coast of Florida, Joshua also works on the worship team at a local church. Spreading good deeds and good tunes, Joshua creates music that resonates with many souls. Through a deep-rooted passion for music & faith, Joshua’s songs have much depth that will connect with a wide audience. God Bless Joshua Lassi and his desire to make heartfelt songs that touch on many common topics and struggles. No matter what happens, ‘The Only Thing That Hasn’t Changed’ is a profound love for good, wholesome music with faith & family values instilled.
Be sure to SKOPE out the official music for “Ghosts” right here:
https://www.youtube.com/watch?v=-L1lGQgx0xk.
https://tiktok.com/@joshualassi
https://www.instagram.com/joshualassi
https://www.facebook.com/profile.php?id=61571668234901
By Jimmy Rae
University of Nevada, Las Vegas Jazz Ensemble 1 Presents ‘Let The Good Times Roll’
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This project is a culmination of hard work and dedication as University of Nevada, Las Vegas Jazz Ensemble 1 has assembled 12, well-constructed compositions. This new album release is put together by UNLV School Of Music, Division of Jazz and Commercial Music and includes students, faculty, and guest artists throughout the 2023–2024 school year. ‘Let The Good Times Roll’ features returning performers Laura Taylor, Curt Miller and Kenny Rampton, as well as new guest artists such as Clint Holmes and Naomi Mauro (both of whom have performed at UNLV’s annual Joe Williams Scholarship Concert). Many student compositions and arrangements can be found on this album making for proud moments galore and major accomplishments across the board. UNLV J&CM had the pleasure of working with Grammy-Award-Winning Producer Gregg Field on this project.
‘Let The Good Times Roll’ is the perfect title for this record because you can just sense the pure joy being played out here by the entire Ensemble. This release is the pure definition of a passion project as all members played their hearts out and just enjoyed the whole process. Directed by Dave Loeb and Nathan Tanouye, ‘Let The Good Times Roll’ is professionally recorded jazz music at its finest!
The album kicks off with the title track, “Let The Good Times Roll”, and right away the energy is simply electric! With a feel-good melody and fun atmosphere, “Let The Good Times Roll” invites you to come on in and enjoy the show! The listener will be jivin’ along to the next composition, “Chinoserie” that offers up a lively mix and fine instrumentation. Track three, “Too Close For Comfort”, is elegance personified as UNLV Jazz Ensemble 1 delivers one classy performance. Next, we have “Emily” that highlights this group on all levels musically and makes for an enjoyable listening experience. On the following number titled “Check Up”, the sax playing stands out and the musical direction is superb. Check out “Check Up” where this song really POPS and highlights UNLV Jazz Ensemble 1 in stellar fashion. Track six, “Bohemia After Dark”, will put you in the right frame of mind with a fantastic arrangement and smart orchestration. Get ready for “The Night Has A Thousand Eyes” that has a glorious presence and such fullness of sound. Just sit back, relax and take in the soothing sounds and distinct notes on “The Night Has A Thousand Eyes”. UNLV Jazz Ensemble 1 showed UP and showed OUT on “Alright, Okay, You Win” where, from a listening perspective, you just want the band to play ON! The following composition, “The Collective”, will spark your curiosity and capture your imagination with its watchful tone and stirring chords. Track 10, “I’m Getting Sentimental Over You”, has a stage show feel and schmaltzy touch as the Ensemble is hittin’ the town in style. The UNLV Jazz Ensemble 1 is bringin’ it on home with “I’m Getting Sentimental Over You” by offering glitzy pizzazz and a timeless sound. Get ready for a jazzy, snazzy good time on “Braggin ‘N’ Brass” where UNLV Jazz Ensemble 1 is not holding back and delivering a star-studded performance. The talented Ensemble ends on a high note with “Finale (For Katie Charlotte)” where Tristan Selzler is tickling the ivories with the utmost precision.
‘Let The Good Times Roll’ is due out March 01, 2025 on Vegas Records and is already a Hit in my book! UNLV J&CM prides itself as a top school for jazz composition, and has produced many skilled composers such as Ricardo Arana, Jorge Machain, Carlos Mata, and Julian Tanaka. UNLV’s current student composers/arrangers, such as Kirby Galbraith, Renzon Maballo, Jaren Glick, Tristan Selzler, Mateo H.D. Mendoza, and Surafael Tamre have contributed significant works to this project. Everyone involved with this album should be very proud of their overall efforts and UNLV Jazz Ensemble 1 deserves a round of applause. The previous release, ‘Dreamlike’, received a 2024 Grammy Consideration and got a lot of airplay at national radio stations. University of Nevada, Las Vegas Jazz Ensemble 1 is helping keep jazz alive and well with an unwavering commitment to this art form. Just as The Cars once said, “Let the good times roll”, the players at UNLV also share this same sentiment collectively. All for the love of music and all in the key of jazz, just ‘Let The Good Times Roll’ forever!
https://unlvjazz.bandcamp.com/album/let-the-good-times-roll
By Jimmy Rae
