Tennessean Jim Hurst’s Releases New Single
Bluegrass and, to a lesser extent, folk music are inextricably woven into Tennessean Jim Hurst’s musical DNA. The guitarist, singer, and general force of nature within bluegrass circles has enjoyed a two decades-plus long run as one of the most well-respected musicians in that style. His new single, “One More Lonesome Train”, travels through familiar musical and thematic territory, especially for longtime genre devotees. Hurst continues bringing the same unexpected yet celebrated individuality to the song that marks the best of his prior releases. It isn’t merely a variation on a theme but, instead, an intensely personal statement that casts its net wide. The song’s appeal should be widespread.
It has an assertive stride that swoops us away from the outset, Acoustic guitar leads the way and dominates much of the instrumental spotlight. However, the banjo plays a key supporting role in the arrangement. It provides a rhythmic foundation moving below the guitar and fleshes the song out into a fuller listening experience. There are ample opportunities for Hurst’s musicianship to stand out. They are never built into the arrangements in such an ostentatious way that they attempt to steal the song’s thunder. They bring further melodic distinction to an already memorable performance.
https://open.spotify.com/track/08CKNg8u8UnMtBJRQyckAz?autoplay=true
Hurst’s ability to carry the song vocally and benefit from the presence of a second voice is welcome. His unshakable gift for delivering convincing singing in either mode is a professional high point, but attentive listeners may hear a classic lonesome cry in his phrasing. It’s understated, but it’s there. Hurst is a canny singer capable of filling the seemingly simplest of lines with worlds of emotion. “One More Lonesome Train” is an excellent example of how Hurst adopts a well-known format, rejuvenates it with his musical spark, and successfully pours old wine into new bottles for a modern audience.
It’s a tune that longtime genre admirers or casual fans alike can enjoy. It’s another bonus of Hurst’s work. He doesn’t render bluegrass or other roots styles in an exclusionary, cliquish fashion. This is music from the heart, for the heart, and keeps a wide tent. Performing music with such a traditionalist slant in these modern times demands a certain amount of chutzpah. However, Hurst’s music never comes across as unduly cocky or strident.
He sounds like a musician driven by a deep inner urge to perform.
Qualities such as this are solid building blocks for a long career. Hurst has distinguished himself for many years, and “One More Lonesome Train” shows that he’s far from finished. The Tennessee-born musical artist continues getting better at a time and place in life when his contemporaries are all too often settling into middle-age obsolescence. Not so for Hurst. He doesn’t have anything to prove, but his latest single, “One More Lonesome Train”, glows with the steady light of inspiration. He was born to do this, and that mandate continues informing each new song. It is a stylish and classy work of effortless authenticity that scores of listeners will enjoy.
Gwen Waggoner
Omer B Presents ‘Sneak String’
A glorious funk-rock groove rolls through on Omer B’s “Sneak String.” This is a physical sort of funk that forces you to get up and dance. Omer B avoids trends for something timeless by going for a classic stance, with the neat mix of the guitar and bass allowing for a balanced approach. Melodies come through with the riffs as they emerge out of the tectonic rhythm. Volume is of the essence, as this needs to be played as loudly as possible. Tight percussion and keyboards help fill out the rest of the atmosphere, giving it a fresh, all-encompassing quality.
Not a moment is wasted as they dive headfirst into the thick of it. Everything has this expanded, elaborate quality. Their talent is undeniable, for they ensure that each flourish matters, with the song becoming hypnotic. As the song progresses, it gradually picks up more and more steam. Indeed, the interplay within the group allows for inspired moments, as the references to jazz pop up here and there. Full of so much life, the sound virtually teems with excitement, with the gestures moving from place to place. By the time they wrap everything up, the song’s vamps and extended chords result in this chilled-out finale, which feels entirely worth the journey. Blooms of color pop for the final moments, adding to the comforting spirit.
Omer B delivers a powerful work with “Sneak String,” going for an optimism that is a true delight, driving forward in a glorious, lush way.
https://music.apple.com/us/album/sneak-string-single/1777565340
https://www.facebook.com/OmerBMusic
https://www.instagram.com/omerbmusic/
https://www.omerb.net/
SLUKA with Emphatic ‘Cautionary Yell’
If you crave an original progressive rock album that goes outside the box to create new ideas & spaces, then ‘Cautionary Yell’ by SLUKA is for you. This new release is SLUKA’s 14th studio album and ‘Cautionary Yell’ is already receiving quite the buzz. Being referred to as some of their best material to date, SLUKA is digging even deeper to give the audience a ‘Cautionary Yell’ for the ages.
Led by Christopher Sluka, this band pulls no punches when it comes to creating music that has no borders. If you dare try to label SLUKA or throw them into a standard box, then this group will have to give you a direct and ‘Cautionary Yell’. The album features Christopher Sluka on vocals, keys & guitar, Anna Eppink on bass, Michael Bedard on drums, Nico Hueso on violin & viola, Erdis Maxhelaku on cello and Brad Steinwehe on bassoon, piccolo, & flute. The SLUKA experience will blow your mind and spark your ears with ‘Cautionary Yell’ seeping its way into your memory bank.
Right out of the gates, a layer of mystique and innovative approach to music making makes its way into your eardrums on “When The Genie’s Out”. Cat’s out of the bag right from the beginning because SLUKA proves that “When The Genie’s Out”, all bets are off! Not playing by conventional standards, SLUKA makes up its own rules “When The Genie’s Out” for all to hear. An intriguing melody will be ringing in your ears on the following track “Sunset Screamer”.
You can also check out the official music video for “Sunset Screamer” right here: https://www.youtube.com/watch?v=BGYK4FPF2Qc.
A distinct sound and touching performance can be heard next on “My Own Reasons”. SLUKA is ready to spread its musical wings on “Wave Goodbye and Fly Away” where everything seems to be gliding along wonderfully. SLUKA has the perfect formula for your listening pleasure with “Science” where elements are combined to make up the purest form of music. Next, SLUKA is laying it all out and not holding back with “Saving It All” where there are no limitations in sight. A raw touch is detected on the following song “As It Flows” where the notes move along effectively but not gracefully. Quite a story is being unfolded on the next track “I Am…Okay” where adventure and surprise awaits you. SLUKA delivers a mighty performance that is deep in texture and rich in substance on “I’d Like To Know”. A rewarding discovery for your musical enjoyment is found on “Gone Our Treasures”. This song has mass appeal as “Gone Our Treasures” will attract to many people across the globe. We finally come to “That Moment” when everything must come to a close and we shall not have any regrets in the end.
It’s worth noting that this record was produced by Grammy-winner Alan Sanderson (Fiona Apple, Weezer, Fleetwood Mac). SLUKA has painted quite the musical canvas with it’s highly anticipated release called ‘Cautionary Yell’. In a world where music becomes art and art becomes music, SLUKA proves to be extremely inventive with so many colorful notes being used. How many listens does it take to get to the center of ‘Cautionary Yell’ by SLUKA? The world may never know…
By Jimmy Rae
Sam Kuslan Off to the Races with ‘Runaway Love’
It’s hard to believe that this is a solo debut album release for Sam Kuslan because he sounds like a seasoned vet in the studio with ‘Runaway Love’. This independent artist brings to you a refreshing style that merges a wide array of musical elements & genres. Kuslan is inspired by the likes of Jamie Cullum, Sammy Davis Jr. and John Mayer along with many greats from the New Orleans tradition and classic Americana, soul and jazz scenes. ‘Runaway Love’ is an invigorating blend of music that will ignite your senses and please your musical palette.
Sam Kuslan wrote and arranged all nine songs on the new album as well as contributing vocals, guitar and piano. This multi-talented singer/songwriter invites everyone in to enjoy the original sounds of ‘Runaway Love’. I like to refer to Sam’s style as jazzy pop with a twist, which makes for one flavorful concoction. Classic and contemporary pop can be heard as Sam Kuslan creates his own voice while also honoring the greats of yesterday.
The record starts off with an upbeat number that embodies cool mojo and that would be the title track “Runaway Love”. With an infectious rhythm and catchy hook in place, “Runaway Love” is your #1 destination. Sam lyrically & vocally grabs you with his appealing tone on “(I Wanna Call Love An) Old Thing”. Nothing old-fashioned about Sam’s approach here on “(I Wanna Call Love An) Old Thing” as Sam Kuslan is keeping it all fresh. A polished sound can be heard next on “My Completeness” where clean ‘n’ classy vocals are hitting you. On the following number, “Sunshine and Roses, Sam delivers a strong performance that is shining bright and soundin’ sweet. Next, “Only You” provides a nice touch musically that is subtle yet potent while also punching in some emotional notes. A thoughtful letter in the key of “Dear God” will lift up your spirits and brighten your days. Sam Kuslan delivers a heartfelt performance on “Thought of You” that will fill you with joy and leave you with a big smile. You will be “Patiently Waiting” for a cool breeze to sail through your ear canals with ease as you consume this soothing track. Sam is ending on a high note with “Without Your Love” that is soaring high and leaving a lasting impression on listeners worldwide.
I am thoroughly impressed with Sam Kuslan’s efforts on ‘Runaway Love’ and I feel his solo career is off to a phenomenal start! This being a debut release for Sam, I can’t wait to hear where this artist will venture next. Having shared the stage with many talented acts touring in the US and Europe, Sam Kuslan’s future looks extremely promising. ‘Runaway Love’ is a breath of fresh air for today and Sam Kuslan is an artist to be on the lookout for.
By Jimmy Rae
L.D. Levy with ‘d n a n d’
L.D. Levy is a jazz multi-instrumentalist and playwright who is a self-taught musician. As a longtime member of the jazz scene, L.D. Levy has toured Europe as a woodwinds soloist and has played with the likes of Beaver Harris, Ed Blackwell, Don Cherry, Richard Davis, collaborating with the Astral Weeks bassist for a full LP, 1979’s ‘Cauldron’. Levy’s latest project is titled ‘d n a n d’ and offers so many interesting layers & dimensions from a musical standpoint. As a former alto sax player myself, playing in jazz bands in jr. high and high school, the love for this woodwind instrument and style of music has not wavered over time. I always appreciated the freedom one had when playing jazz as there seemed to be no limits to where you could venture artistically. L.D. Levy is a true master of the improvisations and proves it with his latest release called ‘d n a n d’.
The album features L.D. Levy on bass clarinet, alto flute, alto sax, piano and Paul Westfahl (Max Devereaux, Troubadours of Rhythm) on drums. Together, these talented musicians have created compositions that are both adventurous and tasteful. Showing no restraints, L.D. Levy let’s the music take him to unchartered areas where the imagination can run wild. The end result is ‘d n a n d’ that is the epitome of skilled jazz improvisation.
The record kicks off with an inquisitive number where X marks the spot with the “Map” leading listeners to a treasure trove of sound. A sense of mystery & wonder fills the airwaves on “Map” where sensible playing can be heard along with a thoughtful and unique arrangement. A masterful performance by L.D. Levy is on deck next with “Sunsum”. This track will keep you engaged and enthralled from start to finish due to the vibrant presence surrounding “Sunsum”. Levy is taking you on a wild journey next with plenty of twists & turns on “Eros and Distance” where a suspenseful light guides the way. The following composition is titled “Suite Suele: I. Belle Bete (god less man)” where short but sweet notes come pouring out of your speakers and entice your senses. L.D. Levy appears to be truly feelin’ it and in the zone on “Suite Suele: II. Hongroise”. Prepare for an overall enjoyable listening experience that will not disappoint on “Suite Suele: III. La”. It’s now time to take a trip down memory lane and head to your local, smokey jazz lounge where timeless music and “Smoke” fills the air. Levy is playing like a champ on the following number where “Blue Lotus” is soaring high and standing tall. The alto saxophone is on full display in all its shiny glory on “Saxophone, per se: I. Impression” with such a fullness of sound being displayed. Levy ends on a high note with the mighty sax bringing pure “Joy” to my ears. “Saxophone, per se: II. Joy” makes me feel good with L.D. Levy doing the alto sax major justice by delivering a star-studded performance.
L.D. Levy is a highly-skilled player who brings extreme creativity and originality to the table with ‘d n a n d’. I highly recommend taking a deep listen to ‘d n a n d’ because L.D. Levy is a man on a mission to bring jazz improvisation back to the forefront of society.
By Jimmy Rae
Ken Serio Quartet with ‘Brooklyn Oasis’
If you’re in the mood for jazzy swing tunes, then ‘Brooklyn Oasis’ by Ken Serio Quartet is your ticket! Bringing me back to my high school days where I played alto saxophone for jazz band and just fell in love with this style of music. With all the freedom to improvise and fuse different stylings, jazz allows one to express him or herself to the highest level. This is one aspect I always appreciated about Jazz, as an art form, and Ken Serio Quartet continues to carry the torch for this timeless music with ‘Brooklyn Oasis’.
Ken Serio has been playing drums since he was 11 years old and he hasn’t missed a beat since then. Serio is an accomplished drummer with several decades of experience working with a number of successful acts in the music industry. ‘Brooklyn Oasis’ is the latest project by Ken Serio Quartet and it’s safe to say that musical magic was caught on tape. The Quartet includes Ken Serio on drums, Dave Mullen on tenor sax, Tomoko Ohno on piano and also features legendary bassist Ron Carter.
The record kicks off with the perfect “Changes” where the mood is set right away and it’s a toe-tappin’, finger-snappin’—kind of feel. The listener will hear delightful instrumentation on “Changes” that will put some positive pep in your step. I have to say that all musicians played flawlessly here proving that “Changes” is the perfect opening number. Next, a mellow sensation and calming flow of notes rushes past your ears on “Dindi”. A classy, lounge-type atmosphere is detected on “Dindi”, but please no smoking. Ken Serio Quartet is making a BIG splash on “Oceans in the Sky” where a smooth texture & brightly-filled space is overflowing with sensational solos. A cool breeze of sound comes crashing into your ear canals on “Oceans in the Sky”, so be sure to soak it all up. A touching and tender touch is heard next on “For Michael” where an emotional tone is detected. “For Michael” will keep you engaged and will captivate you with its soft playing that packs a powerful punch. The title track, “Brooklyn Oasis”, is up next and the audience is subjected to a wonderful world full of vibrant notes and colorful sections. “Brooklyn Oasis” is a perfect example of world-class musicians coming together to create a composition that will leave a lasting impression on listeners. A soothing vibe fills the room and pleases your senses on the following track, “Your Own Sweet Way”. Ken Serio Quartet is hittin’ you with the “Hard Eights” where jazz and elegance collide. It’s time to class up the joint with some stylish playing on “Skylark”. Ken Serio Quartet invites you to slow dance with your special someone on “Skylark” because the mood is set and the time is right!
‘Brooklyn Oasis’ is an excellent jazz record and swings in the right direction. Ken Serio Quartet knocked it out of the park here with eight, high-quality recordings with each track having its own, distinct identity. I can’t wait to hear more from this talented bunch, but for now take an eventful trip to ‘Brooklyn Oasis’ and enjoy the sweets sounds of Ken Serio Quartet.
By Jimmy Rae
Jason Blake with ‘A Confusion Sequence’
If you’re ready to give your ears an extreme workout, then look no further than Jason Blake’s new release titled ‘A Confusion Sequence’. With so many different elements hitting your ears from all directions, Jason is not holding back and appears to have no limits musically. Brace yourself for one wild ride as Jason Blake pushes the boundaries and tests the waters on his latest creation.
‘A Confusion Sequence’ is Blake’s 11th solo album to date and being released on Trey Gunn’s (King Crimson) record label, 7D Media. The new album also features drummer Marco Minnemann (The Aristocrats, Steve Wilson, Joe Satriani) who has worked with Jason Blake in the past. One interesting piece of information here is that Jason recorded the entire record playing his Warr Artisan semi-hollow guitar. The Warr guitar is a twelve-string instrument incorporating the range of a guitar and bass. It is played by tapping the strings, a technique known as touch-style guitar. This style of playing certainly added an extra layer of richness to the mix on ‘A Confusion Sequence’
The album kicks off with a song that is both inquisitive and mysterious in nature on “Awakening to Questions”. With some darker elements being played on here and raw energy being tapped into, Jason Blake is playing with a purpose on “Awakening to Questions”. Jason is certainly grabbing the bull by the horns right out of the gates as we all experience “Awakening to Questions”. Next, get ready to shuffle this track into your playlist because “Memory Variations” has one infectious beat. With a wide array of sound hitting your ears, “Memory Variations” will not let you down and will certainly entertain you. On track three, “Pretending to Breathe”, the listener will inhale a vast amount of material and exhale a musical explosion. There is definitely a lot going on here musically, so be ready to wrap your ears around all of the interesting notes. “Pretending to Breathe” is sensible media that has a long-lasting effect on audiences worldwide. Jason follows up with a stellar performance on “Dormant Visions” where Blake is hitting on all the right notes & chords.
You can also check out the official music video for “Dormant Visions” right here: https://www.youtube.com/watch?v=d6XgGIGznfI.
Prepare to sound the alarms because “Lucent Eyes” is taking over your airspace with authority. Jason Blake issues a warning to listeners everywhere and that is to be on the lookout for “Lucent Eyes” ready to take the music world by storm. Everything comes crashing in by the end and everything seems to come to light on the closing number, “A Prophecy of Recollections”. It is crystal clear when we get to the end of the album that Jason Blake came to play and that he brought his A-game with “A Prophecy of Recollections” fulfilled.
Hailing from the Windy city of Chicago, Jason Blake weaves elements of ambience and progressive metal to make up one intoxicating mix he calls ‘A Confusion Sequence’. With music that will have your ears buzzing and your mind racing, Jason Blake looks to surprise the masses. ‘A Confusion Sequence’ has unique dynamics and doesn’t believe in genres. Jason Blake is an original artist with an immense sound and ‘A Confusion Sequence’ is a perfect sentiment to that extreme creativity.
https://www.jasonblakemusic.com/
By Jimmy Rae
Rob Massard is “So Very High”
One may be thinking by the title that this is some sort of drug-induced reference or that this Rob Massard fellow is high as a kite! Quite the contrary as Massard is, in fact, high on life and can hang his head high in the clouds with this new release “So Very High”. In a sense, music is like a drug to Massard because he is addicted to creating quality songs and perfecting his craft. The end result is “So Very High” and it’s safe to say Rob Massard is lighting up the airwaves!
Rob is a talented singer/songwriter from Michigan and his first album release was back in 2017, which was titled ‘Rhythms of Consciousness’. Shortly before this debut release, Rob would receive tragic news that his brother was diagnosed with pancreatic cancer and would sadly pass away later on. Out of the darkness comes light and even with battling extreme heartache & pain, Rob Massard was able to dig deep to create an influential sound straight from the soul. With elements of folk, pop, progressive rock & folk, new age, a musical innovator was born! Fast forward to the present time and “So Very High” incorporates that innovative spirit to the fullest.
The listener hits play, and the vibe is “So Very High” as Rob Massard supplies stellar guitar strumming and one pleasing melody. Rob gives the audience piercing vocals that cut right through and keep you engaged from start to finish. “So Very High” offers heavy substance both musically & lyrically making for one far-out experience. With striking chords in place, you will have to keep your ears to the sky as you consume “So Very High”. Rob delivers a commanding performance overall that deserves high praise and much applause.
“So Very High” is the featured track off the new album titled ‘Old Soul’.
You can SKOPE out the official music video right here: https://www.youtube.com/watch?v=mTyZdQ7RwmM.
The song is about helping others overcome obstacles in their lives and Rob Massard can attest to this in “So Very High” fashion. I leave you with these words from Rob Massard’s website that sums up his musical journey in a nutshell: “Rob’s music forges paths of wonder and adventure. Listen and let your imagination soar!”
https://robmassard.com/
https://www.facebook.com/RobMassardMusic
https://www.youtube.com/channel/UCEGlgZGfDbO-fOKE1HAuqtQ
https://open.spotify.com/artist/1bhlxOsS20J3t6JvBjxb79?si=dfztNQFnScq2TVuJsKr3vw
By Jimmy Rae
Liz Cole Presents ‘I Want to Be Happy’ Out January 28, 2025
A limber energy runs through Liz Cole’s infectious “I Want to Be Happy.” The band picks up on her spirit, following and punctuating her lyricism. With a lovely demeanor, the songs unspool and work best when taken together. She leaves plenty of room for the rest of the group to stretch out, with some nice little solo flourishes and general spaciousness. Upright bass works overtime as the player displays a fluid motion, further adding to the soothing quality that ties the entire journey together.
Things start on a delicate note with the rushed brushstrokes of “I Want to Be Happy” which teeters between outright joy and madness, never settling into one thing. Like the chug of a train engine is the driving pulse of “You’re Sensational” as her vocals feel timeless. Reflective cadences roll through on the elegant strut of “I’d Give a Dollar for a Dime.” Subtle gestures reverberate into a vast, unknowable space as the piano work of “Love” feels deeply reassuring. Nods to one of my favorite genres appear on the Bossa Nova-inspired “Lobo Bobo.” Guitar gestures present inspiration from the great jazz guitarist Wes Montgomery with the dreamy-eyed “Lazy River.” Tying everything together, “I’m Still Here” has a contemplative air that closes out the set.
“I Want to Be Happy” shows Liz Coles possesses so much yearning, featuring little vignettes that display her ability to channel her emotions, share them with the world, and give the world a bit of optimism for the future.
#Liz Coles#I Want to Be Happy
Peter B Unger Presents “The Wayfarer’s Inn”
“The Wayfarer’s Inn” by Peter B. Unger is a captivating and profound story about spiritual journeys, confronting doubts, and rediscovering faith. The narrative begins in a dramatic setting—a cold and dark night—where a tragic accident on a desolate highway sets the tone for a reflection on the fragility of life. The tense atmosphere and detailed descriptions of the scene suggest that the events will serve as a catalyst for the inner transformation of the characters.
At the heart of the story is Pastor Jim, a complex character torn between his desire to rationally understand faith and his need to experience an authentic connection with God. Growing up in a family open to questioning and critical reflections on religion, Jim is caught between the conservative traditions of his congregation and his own intellectual doubts.
A key moment in the story is the discovery of “The Wayfarer’s Inn”, a refuge both physical and spiritual, symbolizing introspection and transformation. Here, the characters confront their fears and flaws. Through tense dialogues, such as those between Alice, obsessed with control, and Lynn, who challenges her methods, the author delves into themes such as prayer, communal responsibility, and vulnerability as a tool for spiritual growth.
The struggle between reason and faith, central to the novel, is embodied in Pastor Jim, who represents the modern Christian navigating between rational logic and the call to a genuine relationship with God. Transformation through grace is another major theme, reflecting the power of change when hearts are open to God. Unger also emphasizes the value of community and vulnerability, illustrating how sharing struggles and opening up to others not only heals but strengthens spiritual and personal bonds.
Unger’s style is detailed and rich in imagery, creating an immersive atmosphere that engages the reader emotionally and intellectually. The absence of clear or immediate answers adds authenticity to the story, preserving the spiritual realism of the quest for self-discovery.
The novel stands out for the psychological depth of its characters, each well-drawn and offering a unique perspective on life and faith. The subtle blending of theology with a compelling narrative turns “The Wayfarer’s Inn” into a thought-provoking read without being didactic.
The ending is particularly powerful, with Pastor Jim leaving the inn transformed, not only experiencing emotional relief but also renewing his faith. The symbolism of nature calming from a storm to gentle snowfall mirrors the inner peace he finds. Unger suggests that life’s journey, though fraught with trials, can be one of hope and meaning when viewed through the lens of divine grace. The message of hope and renewal is another highlight, with the optimistic ending showing that no matter the challenges, life can be transformed through God’s grace. This combination of deep reflection and emotional storytelling makes the novel a memorable work, suitable for anyone seeking answers to the essential questions of faith.
“The Wayfarer’s Inn” is a thought-provoking read that invites readers to reflect on their own relationship with faith, doubts, and community. It is a novel that blends psychological introspection with practical theology, offering a compelling story of rebirth and reconnection with the divine. Peter B. Unger succeeds in creating a work that resonates deeply with the soul, encouraging readers to reevaluate their own beliefs and seek deeper meaning in their personal journey.
BMK Presents ‘Tales of the Upright & The Electric Pulse’
A slew of genres within a bluesy framework defines BMK’s reflective “Tales of the Upright & The Electric Pulse.” Songs get stripped bare to the core essentials. Rhythms have a timeless grace. Thoughtfully avoiding trends, they go for a timelessness, feeling like they could have emerged from any decade. Vocals have a world-weary cadence, lending the lyricism that additional punch. Melodies are infused within the angular grooves, making the tracks feel like they are about to explode as the tense energy releases. Going for this back and forth, he keeps things unexpected because, while quiet, the evolution feels completely unpredictable.
https://ampwall.com/a/bmk/album/tales-of-the-upright-the-electric-pulse/showcase/UGNI27XJ
“Tales of the Upright” starts the album with this majestic grace, nimbly stepping about in a spirited dance. Darkness looms throughout the haunted bow work of “A Strung-Out Story,” where a classical cadence blooms. Ambiance reigns supreme on the peaceful “Rolling Sunset.” Using space to maximum effect, the spacious and minimal “Goodnight, Farewell” has a noir-like demeanor. Infusing an electrical storm emerges with the understated “The Electric Pulse.” Hard stomps permeate “Hey There, Momma,” allowing a degree of sorrow into the equation. Taut funk of the post-punk variety echoes throughout the vast space of “Killing Groove.” On “The Light is Winning,” a spaced-out fanfare enters the fray. Neatly bringing it to a close is the dance-infused “Capricorn Dance (Tatanka Summer Dance Remix).”
BMK refines the importance of intimacy as “Tales of the Upright & The Electric Pulse” features an inherent loveliness with simple, understated gestures.
Info – https://skopemag.com/2024/11/13/haunting-and-thrilling-bass-pop-straight-from-the-river-rhine
#BMK#Tales of the Upright & The Electric Pulse
Ginetta’s Vendetta Presents “Fun Size”
Ginetta’s Vendetta delivers a tasteful and elegant take on jazz with an outright timeless approach to “Fun Size.” Utilizing a pocket trumpet, she sculpts an entire world teeming with life. The songs flow one into the other, ensuring the album works best when taken together as a coherent whole. Best of all, her instrument of choice stands alongside Miles Davis’s work, as a similar subtle quality informs her playing. Outside the trumpet, the piano has a graceful gallop that recalls Vince Guaraldi’s playful, easy-going, and melancholy output.
The chords mesh with the nimble rhythms of the sophisticated introduction, “Ginetta.” Upright bass embodies gleefulness, as “There Will Never Be Another You” has a giddy energy that draws the listener into a teeming world. “Black Orpheus slows the tempos down, resulting in a gracious and stately elegance as the piece’s groove evolves slowly. Like balanced on a dime are the hushed gestures of “Moon River.” Understated movement unspools with the fragile flourishes of “All Blues,” her vocals are a wonderful part of the immersive experience. Pop elements enter the equation on the downright infectious “Misty.” A togetherness and holiday spirit allows “Christmastime” a compassionate cadence. “Blues For Pop Pop (Alternate Take)” has a low-slung swinging presence. Perfectly embodying all that came before it is the regal closer “There Will Never Be Another You (Alternate Take).”
“Fun Size” presents the strength and power of Ginetta’s Vendetta, going for this rather gorgeous, spirited performance, which harkens back to the midcentury of jazz’s most significant era, where expertise intermingled alongside inspiration.
Rhett May with ‘Rock and Roll Emotions Part Two’
The real core of rock and roll and the spirit that it embodies is put on full display here with ‘Rock and Roll Emotions Part Two’. Rhett May captures that rebellious tone in brilliant fashion by delivering raw ‘Rock and Roll Emotions’. I had the chance to review ‘Rock and Roll Emotions Part One’ back in 2023, https://skopemag.com/2023/12/08/rhett-may-delivers-rock-and-roll-emotions-part-one, and what a treat that was! Rhett May comes back with a vengeance to give the listening audience even more unfiltered energy and ‘Rock and Roll Emotions’. Rhett May has truly outdone himself with ‘Part Two’ and proves that the true spirit of Rock & Roll will live on forever.
Raised in Calcutta, India and now a resident of Melbourne, Australia, Rhett May brings this rich, cultural heritage to the table. With unique roots, Rhett May is able to infuse these vast influences onto to the new record. Rhett has transcended rock music as we know it and we now enter Rhett May’s ‘Rock and Roll Emotions Part Two’ that is transcontinental and just downright cool as hell!
Rhett May’s impressive music career spans decades and I have been fortunate enough to hear the changes going back 10-15 years. During this time, the evolution of Rhett May, as an artist, has been simply tremendous! I feel Rhett has gotten better & better with each new release and has transformed into a refined and incredible musician. The journey has been impressive to say the least and I can honestly say Rhett has grown leaps & bounds since the first time I heard him. Just as fine wine ages well, the Rhett May experience ages extremely well and now he is proud to serve you his latest concoction titled ‘Rock and Roll Emotions Part Two’.
The record kicks off with a featured single called “Hot Blooded Woman” and this one is simply on fire! With a rocksteady beat and nonstop energy, Rhett May is entertaining the masses with “Hot Blooded Woman”. Feast your ears on this smokin’ “Hot Blooded Woman” that will knock your socks off and have you coming back for more. There is plenty of attitude on this track as “Hot Blooded Woman” will take over the airwaves and seduce you with its attractive sound. Be sure to SKOPE out the official music videos right here:
https://www.youtube.com/watch?v=-fVGs9jfgrs
https://www.youtube.com/watch?v=DLETmSeTRhI.
Enjoy an exotic element on the following number, “Kissable”, that will appease your soul and instantly pull you in with its affectionate melody. Rhett May delivers a powerful performance and provides pristine musicianship on “Lady of the Lamplight”. Rhett is lighting the way with this star-studded production for the ages. The guitar playing is on point and “Lady of the Lamplight” is leading the charge for all listeners. Brace yourself for a fun ‘n’ loose vibe and real rocker that is all about her “Provocative” ways. So, sit back and enjoy the electrifying show and alluring effect “Provocative” has on audiences everywhere. An intriguing melody hits your eardrums on the next song, “Psychedelic Kisses” as an enticing touch will satisfy your musical palette. I dare you not to be attracted to “Seduce Me” that offers mass appeal due to its playful ‘n’ rockin’ sensation. Rhett will hit you with emotional moments and sweet sentimental value on “You and I”. With touching lyrics that instantly hook you in, “You and I” will tug at your heartstrings. If you’re a fan of shining chords that make you smile, then “You and I” will hit the spot with its pleasing ‘n’ comforting tone. On the following number, “Have Your Arms Been Missing Me”, the listener will receive a tender touch lyrically & vocally. Equipped with an emotional impact, Rhett May provides a strong delivery and powerful performance on “Have Your Arms Been Missing Me”.
I am so impressed with Rhett May’s musical journey and how much he has grown as an artist & musician. ‘Rock and Roll Emotions Part Two’ is the culmination of all that hard work and dedication toward perfecting one’s craft. It’s all about the blood, sweat and tears Rhett May has committed to his music over time and it’s all in the name of good, ol’ rock ‘n’ roll baby! Rhett May is proud to give the audience ‘Rock and Roll Emotions Part Two’ with an official release date of December 13, 2024.
In the meantime, enjoy this action-packed trailer promoting this spectacular album: https://www.youtube.com/watch?v=6Nxq2_bzBUU.
Jeff Lynne of ELO once said “Rock ‘N’ Roll Is King” and to Rhett May Rock ‘N’ Roll is life.
SPOTIFY – https://t.ly/WzqDs/RhettMaySpotify
iTunes – http://goo.gl/nwjbqF
https://www.youtube.com/c/RHETTMAYOFFICIAL
http://www.reverbnation.com/rhettmay
http://facebook.com/rhettmaymusic
https://soundcloud.com/rhett-may-music
By Jimmy Rae
Margaret Slovak & Chris Maresh Presents ‘A Star’s Light Does Fall’
Margaret Slovak and Chris Maresh present a hushed reverence with “A Star’s Light Does Fall.” These skeletal musings feel undoubtedly intimate. Every gesture gets amplified in the vast open space by keeping arrangements to the absolute essentials. The interplay between them feels inspired, as they rely upon the themes as a starting point. How they move away from these initial points is the most intriguing and extraordinary aspect, with the evolution of the sound downright beautiful. They embrace their material’s timelessness and execution, creating an album that sidesteps trends for something more eternal.
https://margaretslovak.bandcamp.com/album/a-stars-light-does-fall
“O Come, O Come Emmanuel” strengthens the album, setting the tone for what follows. Whispers of melody come through, giving the song a mysterious air, even though the music is undoubtedly familiar. A personal favorite of mine emerges on “Christmas Time Is Here,” whose origins as a Charlie Brown add to the melancholy. Easily one of the best Christmas songs out there; there is something nostalgic about it, moving away from the usual pure joy for a much more complicated set of emotions. Gradual changes shift through the contemplative mode of “Christmas Dinner.” Compassion melodies echo into a soothing groove with “Have Yourself A Merry Little Christmas.” Perfectly bringing things to a close is the understated finale, “Hallelujah,” which allows the instrumentation plenty of room to roam.
“A Star’s Light Does Fall” has Margaret Slovak & Chris Maresh revisit beloved classics from an entirely new angle, displaying the fragile nature that rests at each song’s core.
http://www.margaretslovak.com/
#Margaret Slovak & Chris Maresh#A Star’s Light Does Fall
Michael Burke Presents ‘A Strange Mistake To Make’
Michael Burke goes for an elegant, elastic, and confounding series of grooves with the constantly twisting “A Strange Mistake To Make.” Indie rock, electronica, and folk all get filtered through his distinctive, unique vision. The lyrics have a pained expression behind them as he pours his heart out. Nods to groups like Lambchop’s most recent output adorn the collection, as there’s a distinctive twang to how the guitar rings out, along with the vocal treatment that gives it a hypnotic stance. Everything works, and the arrangements have this total, lively presence.
https://distrokid.com/hyperfollow/michaelburke/a-strange-mistake-to-make
Beats bounce off the falls with the freewheeling opener “Apophenia.” Within this track, he runs the gamut from pure electronica to something veering on outright country, though never settling into anything predictable. “Time Takes A Cigarette, Puts It In Your Mouth” slows the tempos considerably. Rhythms lurch forward as he puts a lot of muscle into the sound, giving it a completive stance with the cyclical quality feeling downright downtrodden. Skeletal structures gradually gain definition with the sheer determination of “And lo! We Dance,” complete with extra flourishes that echo into the distance. On the magical “La Di Da,” a biting sarcasm emerges out of the space. An orchestral arrangement gone wrong closes things up with the Radiohead-referencing “A Proverb For Paranoids.”
Info: https://skopemag.com/2024/11/01/michael-burke-a-strange-mistake-to-make-out-november-18
“A Strange Mistake To Make” showcases Michael Burke’s constantly evolving narratives, with melodies and messages that linger long after the music has ended.
https://www.instagram.com/michael_d_burke/
https://www.facebook.com/MikeDBurke/
D’Lee Presents ‘Wonder Woman’ EP
A classic country bluesy charm defines “Wonder Woman,” with D’Lee’s brassy, bold vocals possessing an inherent American beauty. The songs sidestep trends for a timelessness, for there’s a true-blue authenticity that comes through. Her lyrics are the centerpiece of exploring the messy dynamics of relationships, discovering one’s purpose, and embracing individualism. That’s not to say these aren’t entirely devoid of romance, but she lets the good and the bad take up equal arms. She desires to show the world, rise above her station, and become an icon. The listener can feel it in every verse she belts; it is a pure pleasure.
“Kissing Frogs” starts with a real kick as the drums pack an incredible punch, punctuating her words. Driving rhythms give “Cinderella” a highway sensibility, exploring the endless expanse of the American West. The song has a grittiness behind it, allowing the groove to speed things along. Things slow down considerably with the Texan twang of “Wonder Woman.” With this title track, she crafts the heart of the experience, featuring guitar work that soars into the sky alongside that languid, emotionally heavy beat. Glowing keyboards and violent riffs attack with the brutal swing of “Better Than Bitter.” Stripping things back is the intimacy of “Chasing Dreams,” where the song works into a determined frenzy. The stop-start rhythm of “Whispering Like a Yell” ends things with this sense of escapism, of finally leaving.
D’Lee delivers a soulful, earth-shaking sound on the incredible majesty of “Wonder Woman.”
https://www.facebook.com/WhatsUpDlee
https://www.instagram.com/dlee.official
DAVE STRYKER Presents “STRYKER WITH STRINGS GOES TO THE MOVIES” Out January 10, 2025
Dave Stryker goes for a tasteful, inspired combination of classical, folk, and jazz with the elegant “Stryker with Strings Goes To The Movies.” The production embraces cinematics with a sound that feels bright and airy. A sense of wonder underpins the entirety of the album. Ups and downs, the high energy alongside the mellowed grooves, it has a cyclical understanding of time. Without needing to say a single word, a narrative begins to form. To his credit, he explores themes from many 1970s classics, among some of the most revered themes in film, bathing the sound in a nostalgic hue.
He sets the tone immediately with the leisurely buildup of “In Your Eyes.” The midcentury vibes are off the charts as “You Only Live Twice” sparkles with lovely keyboards, delicate brushstrokes, and an unexpectedly blooming horn section. “Theme from Shaft” brings the funk in the best way possible, with the anticipation a part of the song’s inherent sense of joy and defiance. On “Flirtibird,” the song executes a slinky, dirty groove with a sense of glee, and the strings entering the situation add to the enormity. Wes Montgomery’s levels of jazz guitar come through on “Moonglow.” Tying the whole experience together is the casual cool of “Edelweiss,” with the lyrical guitar feeling pitch-perfect.
“Stryker with Strings Goes To The Movies” presents a powerful sound, with Dave Stryker going for a downright gorgeous, plush set of arrangements that consume the listener whole.
Strange New World Present ‘Escape
Acid alliteration and melted psychedelic rock adorn Strange New World’s aptly named “Escape.” Instrumentation goes for an expansive approach, ensuring each detail reverberates within the vast space. Her voice has a hypnotic quality, lulling the listener into a sense of peace. Like some off-kilter series of lullabies, the narratives that form feel like they draw from the equally unusual verses of Syd Barrett at the height of his powers. Nor is Strange New World alone in their spacious sound – they go for this ability to draw from the sweetness of Jessica Pratt’s beautiful “Here In The Pitch.”
The guitar work is fragile and delicate with the incredible opener and title track, “Escape.” “Never Going Back” has a spring in its step. The keyboards go for a golden AM pop pleasure, and the bass lingers on throughout the whole work, allowing it a tremendous emotional impact. Purely stripped down to the essentials is the Bossa Nova leanings of “Today,” where a romantic sentiment unspools with easygoing splendor. Hushed whispers whip through the fleeting glimpses of “Still Life” as the acoustic guitar adds to the sense of intimacy that ties the piece together. Effortlessly pulling together everything that came before it is the gorgeousness and grandeur of the peaceful “Clarity.” By far, the album’s highlight, “Clarity,” feels like a song that Weyes Blood wishes she wrote.
https://linktr.ee/snwmusic
Strange New World floats on with the surreal scope of “Escape,” with lyrics that feel like they were plucked right out of a daydream.
https://www.instagram.com/StrangeNewWorldMusic
https://x.com/SNW_Music
https://www.tiktok.com/@strange.new.world
Midwest Dilemma with ‘Searching for the Cure for Loneliness’
Midwest Dilemma with ‘Searching for the Cure for Loneliness’
I’m pretty sure Midwest Dilemma has not found the exact cure for loneliness, BUT I can definitively say that Midwest Dilemma has delivered original music in its purest form. Fronted by singer/songwriter Justin Lamoureux, ‘Searching for the Cure for Loneliness’ is one for the ages. With a unique style intact and a one-of-a-kind sound, Midwest Dilemma is making a lot of productive noise with the new release.
‘Searching for the Cure for Loneliness’ embodies originality at its finest with 11 genre-bending songs on the album. With elements of folk, country, pop, Americana and everything else under the sun, Midwest Dilemma delivers an incredible performance on the new record. There are themes of life’s battles along with fun-filled adventure allowing your mind to race and your ears to dance. Equipped with over 20 talented musicians on this album, ‘Searching for the Cure for Loneliness’ will not disappoint.
An interesting “Intro” kicks things off where one will hear an intriguing melody that captures your attention right away. Next, on “Old Screen”, the vocals & instrumentation grabs you immediately with a draggy melody that is the perfect pace. The title track is up next and “Searching for the Cure for Loneliness” provides an old-fashioned feel that collides with a fresh, up-to-date vibe. “Searching for the Cure for Loneliness” is an extremely catchy number with lyrics & vocals that stand tall and speak volumes. Track four, “The 49’r”, supplies thought-provoking words and an overall style that moves you and captivates you. If you’re searching for words that stand out in a crowd, then look no further than “Dreaming of the Coast”. The listener will be transported to a world where warm, cool and refreshing waters surround your ears and soul on “Dreaming of the Coast”.
Be sure to SKOPE out the official lyric video for “Dreaming of the Coast” right here:
Midwest Dilemma has created quite an impactful song with “Dreaming of the Coast” where meaning, purpose & heart all meet. Prepare for an enticing beat on “So Well” that satisfies your musical palette from top to bottom. This song has major appeal and is “So Well” done to the point your ears will be thanking you. It is now time to head to the “Appalachian Mountains” where a calming breeze rushes over your ears and heavy substance hits you with a deep, sentimental value in play. It’s time to head into a cooler zone where the audible weather is crisp ‘n’ clean, so enjoy this musical stroll through “Winter Park”. Prepare for a ride in this “Stolen Car” next, figuratively of course, where Midwest Dilemma is pulling out all the stops. “Stolen Car” offers hard-hitting material that crashes into your eardrums in the matter of seconds. By the end “Scattered Leaves” are falling all around you as the music takes you over and takes you to a special place. Go ahead and do a little daydreaming and escape to the memories that are “Scattered Leaves”.
Midwest Dilemma has had songs charting on radio stations all over the country and the band has shared the stage with the likes of: Lord Huron, Conor Oberst, Blind Pilot, Langhorne Slim, Counting Crows and others. I am highly impressed with the overall album as Midwest Dilemma proves to be a dynamic force. The time has come to embark on a mission of organic truth as we are all ‘Searching for the Cure for Loneliness’. Midwest Dilemma invites everyone to enjoy the journey and to make it a listening experience you won’t soon forget.
https://midwestdilemma.com/
https://www.facebook.com/MWDilemma/
https://www.instagram.com/midwestdilemma
https://www.youtube.com/@midwestdilemma
By Jimmy Rae
GREGORIAN RELEASES NEW ALBUM ‘PURE CHANTS II’
GREGORIAN RELEASES NEW ALBUM ‘PURE CHANTS II’
Gregorian, the signature achievement of legendary producer, Frank Peterson who co-created Enigma and the “chant” phenomenon in contemporary music, reinvigorates ancient traditions with the hollowed ground of “Pure Chants II.” The songs have a stripped-down beauty behind them. Drawing upon centuries’ worth of musical history, the pieces flow effortlessly into each other. Best taken in as a singular listening experience, an expansiveness occurs through the sheer contemplative vocal droning. Everything here feels carefully constructed as if they considered every possibility. The communal quality of the sound is virtually built-in, as the choir has this warm, welcoming presence. The way they go for this seemingly timeless and classic nature helps lend everything a peaceful sensibility.
A purity resides within the heavenly “Ava Marie (Pure Version)” with the inclusion of the organ in the latter half a refined touch. “Winter Light” has a gentle glow to the arrangement, letting the strings feel virtually weightless. Rhythmic vocalizations give “O Fortuna (Pure Version)” that sense of tension that the song deserves. The gorgeous church organ swells into the infinite blue sky with the lovely “Dear Lord And Father of Mankind.” On “Rivers Of Babylon (Pure Version),” there is a familiarity with the piece alongside the absolutely stunning cinematic execution. Verses have a gentle loveliness to the peaceful demeanor of “My Love Is Like A Red Red Rose.” Choirs spill over with the spacious architecture of “Gloria XV.” Victory rises out of the triumphant “Gaudete,” where the evolution of the sound feels inspiring. Things end on a reflective note with “Noel Novuelet.”
“Pure Chants II” reveals Gregorian’s exquisite detail and elegant arrangements.
Gregorian are touring North America this fall:
Friday, November 15, 2024 Halifax, NS Rebecca Cohn Auditorium
Saturday, November 16, 2024 Charlottetown, PEI Confederation Centre
Sunday, November 17, 2024 Montreal, QC L’Olympia
Monday, November 18, 2024 Ottawa, ON Bronson Centre
Tuesday, November 19, 2024 Mississauga, ON Living Arts Centre
Wednesday, November 20, 2024 London, ON Centenniall Hall
Friday, November 22, 2024 Rockford, IL Coronado Theatre
Saturday, November 23, 2024 Madison, WI Barrymore Theatre
Sunday, November 24, 2024 Duluth, MN West Theatre
Monday, November 25, 2024 Winnipeg, MB Burton Cummings Theatre
Tuesday, November 26, 2024 Regina, SK Conexus Arts Centre
Wednesday, November 27, 2024 Calgary, AB MacEwan Hall
Thursday, November 28, 2024 Sherwood Park, AB Festival Place
Saturday, November 30, 2024 Kelowna, BC Kelowna Community Theatre
